The talented musician, a key member of the innovative 1980s synth-pop band Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the pair scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.
He later founded the innovative techno group The Grid, who secured chart success with 1994's Swamp Thing.
Ball died calmly in his rest at his home in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.
Recent Health Challenges
During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a spate of health issues.
"I ended up injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and cracked about multiple ribs and fractured my arm."
Following contracting pneumonia and developing blood poisoning, he was put in an induced coma and remained in hospital for half a year.
Nevertheless, he had been in "high spirits emotionally" during the summer, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is set for release next year.
"He was concentrated and very pleased with the latest project that we literally completed only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was completely planned to be such an uplifting time for him, and I find comfort from the fact that he listened to the completed album and believed that it was a masterpiece."
Heartfelt Messages
Almond described his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.
"Many thanks Dave for being an immense part of my existence and for the music you gave me. I couldn't be where I am without your influence."
Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".
"Forming a partnership with someone is distinct from being in a band, the bond is incredibly close," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, life-affirming moments as a team. Thank you, Dave."
Formative Years
Born into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.
He was raised in Blackpool with adoptive parents his caregivers, who changed his given name from Paul to his adopted name, together with his sibling his sister, who was also adopted.
He encountered Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.
Musical Partnership
The pair were an distinctive combination: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a unique musical alchemy.
Ball had developed a fascination with electronic instruments after viewing Kraftwerk appear on a television science show a popular series, and started to combine moody electronic sounds to the soaring melodies Almond was composing.
Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting 21 million copies globally. Together with successful tracks by Gary Numan, Human League and electronic acts, it contributed to cleared the path for the synth-pop sound of the 1980s.
The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.
Professional Journey
Fame had its benefits. "I loved being able to afford my first home, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a music magazine.
But it also caused problems. "Sudden riches allowed we could afford newfound drugs to relieve the monotony" of press appearances and television shows, Ball said.
"I know that's a cliché, but it's a cliché for a valid cause, because it applies for so many bands."
Amidst the hedonistic lifestyle, the duo were also growing distant, but they managed to produce a second classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.
They released one more album, their 1984 release This Last Night In Sodom, before dissolving the band to concentrate on other projects.
Almond went on to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a long-lasting partnership.
Reunions and Final Projects
Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.
After another break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, 2018.
Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic restrictions.
Ball lately characterized the band's upcoming release as a homage to the NYC nightlife they visited while making their first two albums.
He noted that his period in medical care had shaped the group's music.
"I had strange recollections when I was in and out of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"In parallel, it's about the times we got up to in the 1980s."
The last versions were finished only days before Ball passed away. It is due for release in Spring 2026.